Search results for "literary impressionism"
showing 4 items of 4 documents
"A little deeper into the sea": William Hyde's illustrations to Ford Madox Ford's The Cinque Ports
2021
International audience; The broad aim of this paper is to explore the representation of the sea in its interaction with the coastline of the British Isles. It focuses on Ford Madox Ford [Hueffer]’s The Cinque Ports (Blackwood and Sons, 1900) illustrated by the English artist William Hyde (1857-1925).The original Cinque (i.e. “five”) Ports are located on the English southern coast: Hastings, Sandwich, Dover, Romney and Hythe, to which have been added Rye and Winchelsea. They were granted specific “liberties” by royal charter in the 13th century and they used to provide a line of defence against invasion as well as a point of entry into England. Ford set out to chronicle their history at the …
Woodcuts and Some Words: Edward Gordon Craig’s lasting impressions
2019
This article examines Edward Gordon Craig’s analogy between drama and wood engraving, stage and printed page in his autobiographical handbook on wood engraving, Woodcuts and Some Words (1924). Taking as a premise Craig’s interest in the world of print as materialization of his “new theatre”, it explores the semantic shift of the notion of impression from the symbolist realm of suggestion to that of modernist imprint. It finally seeks to determine the significance of engraving in Craig’s career, a medium that was the matrix, the relic and the archive of the images and of the ideal vision he pursued all his life.
Lignes et points : Illustration, impressionnisme littéraire et procédés
2020
International audience; Cette conférence a porté de manière générale sur les rapports entre illustration et procédés de reproduction. Elle est plus précisément consacrée à l’utilisation de la photogravure dans le livre illustré britannique de la fin du 19ème siècle. L’exemple choisi est le recueil d’essais London Impressions (Constable, 1898) d’Alice Meynell, illustré par l’artiste britannique William Hyde. Peintre et aquafortiste, Hyde collaborait avec l’inventeur écossais Donald Cameron-Swan (1863-1951) de la Swan Electric Engraving Company, spécialisée dans le cliché trait comme dans le cliché simili. À la croisée de pratiques autographiques et d’opérations mécaniques, la photogravure al…
Impression(s)
2019
The articles presented in this cluster discuss literary and visual impressions from the premise that literary impressionism and printmaking share the trope of impression as “impress” and as “imprints” in a technical and epistemological sense. Most works on Impressionism and literary impressionism dwell on the genealogy and mutual influence of fiction and painting, but few authors tackle the importance of printmaking. The five essays presented here all examine impressions as theme, trope and technique in 19th and 20th-century texts and images. These essays discuss intermedial practices, the mutual influence of artistic practice and textual production, as well as the dual meaning of impressio…